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  • Another problem is the complete lack of tone marking even though Sesotho is a grammatical tone language.
  • Many tone languages have "'contour tones "', which move from one level to another.
  • Zapotec is a tone language, which means that the meaning of a word is often determined by voice pitch.
  • Similarly, in some two-tone languages, only one tone is marked explicitly, usually the less common one.
  • He stands today as a unique personal " voice " in European improvisation music, with his own distinctive tone language.
  • It is especially common in tone languages where the whistled tones transmit the tones of the syllables ( tone melodies of the words ).
  • A paper which uses POLQA to investigate the impact of tone language and non-native listening on speech quality measurement can be found in.
  • This might be because in tone languages the tone melody carries more of the functional load of communication while non-tonal phonology carries proportionally less.
  • Sesotho is a grammatical tone language; this means that words may be pronounced with varying tonal patterns depending on their particular function in a sentence.
  • St黨lmeyer demonstrated that Hildegard's tone language and the ambitus, spanning up to two octaves, both meet professional, compositional standards of the 12th century.
  • He was the first phonetician to produce, in his " Sechuana Reader ", a competent description of an African tone language, including the concept of downstep.
  • After high level and high rising tones, the neutral syllable has an independent pitch that looks like a mid-register tonethe default tone in most register-tone languages.
  • Clear examples of the usefulness of autosegmental analysis came in early work from the detailed study of African tone languages, as well as the study of vowel and nasal harmony systems.
  • Zapotec is a tone language, which means that the meaning of a word is often determined by voice pitch ( tonemes ), essential for understanding the meaning of different words.
  • Pitch accent languages differ from tone languages in that pitch accents are only assigned to one syllable in a word, whereas tones can be assigned to multiple syllables in a word.
  • Only in limited locations ( South Africa, New Guinea, Mexico, Brazil and a few others ) are tone languages occurring as individual members or small clusters within a non-tone dominated area.
  • It is possible that African level-tone languages such as Mambila, with four may be better suited to study the role of absolute pitch in speech than the pitch and contour tone languages of East Asia.
  • It has also been found that, among music conservatory students, the prevalence of absolute pitch is much higher for speakers of tone language, even controlling for ethnic background, showing that language influences how musical tones are perceived.
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